Nature
Heartsong from Inner Music
By Madeleine Doherty (CD1 track 2)
Instrumental harp music based on Madeline's meditations. www.madeleinedoherty.ie
Shen Khar Venakhi from Crux Vocal Ensemble
By Crux Vocal Ensemble
Crux is a gathering of voices on the Atlantic fringe of Europe in the historic city of Dublin. www.cruxvocalensemble.com
Shen Khar Venakhi from Crux Vocal Ensemble
By Crux Vocal Ensemble
Crux is a gathering of voices on the Atlantic fringe of Europe in the historic city of Dublin. www.cruxvocalensemble.com
No music playing
Our Lady of Sorrows
Today’s feast is clearly linked with yesterday’s, when we celebrated the Exaltation of the Cross. Only the Gospel of John records that his mother Mary was present at the Crucifixion:
…standing near the cross of Jesus were his mother, and his mother’s sister, Mary the wife of Clopas, and Mary Magdalene. (John 19:25)
In the Synoptic Gospels, women are recorded as standing at some distance from the cross, but his mother is not mentioned among them. One can hardly imagine the pain and grief that Mary must have undergone to see her only Son dying in such terrible suffering over a period of several hours. Mary, as the first and greatest disciple of her Son, shared in a very special way in the redeeming death of her Son and Lord.
Devotion to Our Lady of Sorrows flourished in the Middle Ages. From that time comes the well-known hymn, Stabat Mater, which we still recite during the Stations of the Cross:
At the Cross her station keeping,
Stood the mournful Mother weeping,
Close to Jesus to the last.
Since the 14th century, these seven sorrows have been linked to Mary:
By remembering Mary’s sufferings in this way, we realise how close she was to the redeeming work of her Son. As mentioned, she is his first and closest disciple. Especially in Mediterranean countries, statues of Our Lady of Sorrows are traditionally carried in processions on the days leading to Good Friday.
No feast in her honour was included in St Pius V’s Tridentine Calendar in 1570. Approval for the celebration of a feast in honour of Our Lady of Sorrows was first granted to the Servite order in 1667. By inserting the feast into the Roman Catholic calendar of saints, Pope Pius VII extended the celebration to the whole of the Latin Church in 1814. It was assigned to the third Sunday in September. In 1913, Pope Pius X moved it to 15 September, the day after the Feast of the Exaltation of the Cross.
Our Lady of Sorrows is traditionally depicted in art dressed in black with seven swords piercing her heart. These seven swords symbolize the chief seven sorrows of her life. Devotion to the Sorrows of Mary inspired the work of art we call the Pieta, the grieving Mother holding her dead Son in her arms after he has been taken down from the Cross.